While film was never his primary medium, he had worked on some of the hottest dramatic television properties in recent years in HBO’s The Sopranos and AMC’s Mad Men, and, most notably, was a key director for the hottest show of the era, HBO’s Game of Thrones. Yet, the film was apparently the byproduct of lofty concepts that were subsequently butchered by Marvel, claims director Alan Taylor, who has revealed intriguing details on his unfettered version of the film.Īt the time, the selection of Alan Taylor as director for Thor: The Dark World was an auspicious sign. Sure, its $644 million global gross surpassed its predecessor’s $449 million, but the film itself is generally seen as a morose movie experiment hampered by an awkwardly-paced plot, and its dominant setting of Asgard and the celestial realms bored the popcorn crowd. While Thor: The Dark World would not be accurately labeled as a dud, the 2013 sequel to 2011’s crucial early Marvel Cinematic Universe offering isn’t exactly widely regarded as a high point in the annals of the lucrative franchise.
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